Derek Jarman
Derek Jarman (–94) is known as one of Europe’s greatest independent film-makers; his films call into question and reconsider the nature of filmmaking itself. But, as Michael Charlesworth shows in this new biography, Jarman was also a painter, writer, gardener, set designer, and an influential campaigner for gay rights and other social causes. Charlesworth discusses the entire diverse range of Jarman’s works in order to provide a thorough portrait from childhood to his untimely death. Charlesworth is the first scholar to properly integrate Jarman’s paintings and writings with his films, demonstrating the strong connections between his varied areas of artistic practice. He also draws invaluable insights from Jarmon’s extraordinary series of journals that offer a look into the nature of the society in which he lived, as well as his own creative process. And through the thoughts and memories of Jarman’s friends, Charlesworth reveals how Jarman was an important voice on behalf of many—one who espoused love and friendship, while fearlessly campaigning for the virtues and the value of art in an often hostile and unappreciative political and social atmosphere. Fresh i
Modern Nature: The Journals of Derek Jarman
Derek Jarman's creativity spanned decades and genres - painter, theatre designer, director, film maker, writer and his first one-man show at the Lisson Gallery in ; set designs and costumes for the theatre and ballet (Jazz Calendar with Frederick Ashton at Covent Garden, Don Giovanni with John Gielgud at the London Coliseum, The Rake's Progress with Ken Russell at Teatro Communale, Florence); production design for Ken Russell's films The Devils and Savage Messiah; through his own films in super-8 before working on features- Sebastine (), Jubilee (), The Tempest (), The Angelic Conversation (), Caravaggio (), The Last of England (), War Requiem (), The Garden (), Edward II (),Wittgenstein (), and Blue (); to directing pop-videos and live performances for Pet Shop Boys and paintings - for which he was a Turner Prize nominee in - have been exhibited garden surrounding the fisherman's cottage in Dungeness where he spent the last years of his life remains a site of awe and pilgrimage to fans and newcomers to Jarman's singular publications include- Dancing Ledge (), Kicking the Pricks (), Modern Nature (), At Your Own Risk (), Chrom
Reflections on the Life & Work of Derek Jarman
&#; Bob Nowlan
INDEPENDENT BRITISH FILMMAKER Derek Jarman died of AIDS on February 19, in London. Jarman is best known as one of the leading directors in "the new queer cinema." Among Jarman&#;s most famous films are "Sebastiane," "Jubilee," "The Tempest," "Angelic Conversation," "Imagining October," "The Last of England," "War Requiem," "The Garden," "Edward II," "Wittgenstein," and "Blue."
Jarman was also an accomplished painter and theater designer; a prolific journalist and essayist; an ubiquitous print, radio, and television interviewee; the author of three book-length collections of autobiographical writings, At Your Own Risk: a Saint&#;s Testament, Dancing Ledge, and Modern Nature; and a dedicated queer and AIDS activist.
Who was Derek Jarman and why is his life, his death, and especially his work, significant? Let us turn first to what Jarman and some of his most celebratory supporters have had to say, and then from there to a few, more critical, comments in conclusion.
In "The Two Gardens of Derek Jarman" (Film Comment, November-December , ) Harlan Kennedy contends that those who enter the filmic world of Derek Jar
Derek Jarman was the maverick radical of the British cinema during the late s, '80s, and early '90s. His highly idiosyncratic form of avant-garde managed to sustain itself due to his personal reputation as an auteur, as an enfant terrible, and to his more or less public private life.
Jarman was an artist of many dimensions: an author of autobiographical journals, a poet, a painter, a scriptwriter, a film director, a cinematographer, and a set designer. Jarman was at the same time a modernist and a Renaissance artist. His scathing attacks on present-day British politics and challenging use of aesthetic forms as well as images from popular culture were combined with a neo-romantic fascination for and a subversion of traditional English high art. Jarman's fame, however, mostly derived from his outspoken homosexuality, his never-ending public fight for gay rights, and his subsequent personal struggle with AIDS.
Michael Derek Elworthy Jarman was born in Northwood, Middlesex, on 31 January ; he died in London on 19 February He was educated at the University of London and at the Slade School of Art. His first work in the cinema was as a set designer on Ken Russell
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