Hailed as one of the great violinists of the 20th century, Ida Haendel () “enthralled audiences around the world with a combination of classical rigor and romantic warmth—a mind-blowing mix of fire and ice.” Known for her gracious yet uninhibited style of playing, Zubin Mehta told the Associated Press in , “When she plays the Beethoven concerto, you can imagine Beethoven wanted it that way. She was a violinist for violinists.” Ms. Haendel credited her natural talent to reincarnation, saying that she must have played the violin in an earlier life. “I was using pure instinct… It’s something you are born with. If you don’t feel it in your soul, on an emotional and intellectual level, then it can’t be taught. You can’t tell anyone how to do it if they don’t have the right capacity and instinct.” And even more tellingly, she once remarked, “I am not here to please the audience. I am not an entertainer. I am here to serve the composer.” For the greater part of the twentieth century Ida Haendel was an enduring idol on the concert stage. Through her recordings and live performances, she provided inspiration to performers, music-lovers and students.
Ludwig van Beethoven: Violin Conce
Violinist For the Record… Selected discography Sources Violinist Ida Haendel, born in in Poland, has been performing continuously since winning a concert competition at the age of seven. Relocating with her family to England after the outbreak of World War II, she began her recording career there before embarking on her first world tour after the war ended. Having established herself as one of the world’s great classical violinists, she is recognized today as one of the last top-level violinists trained in the nineteenth-century tradition. Haendel grew up in a poor household. Her father was a struggling painter and frustrated violinist, and he tried to give his children opportunities that he had never had. He gave Haendel’s older sister Alice a violin for her ninth birthday, but she showed no special aptitude for the instrument. Three-and-a-half year old Haendel, however, picked it up and began playing immediately. Hers was a gift not even she could fathom. As she told the Boston Globe’s Richard Dyer many years later, “I don’t know how I play the violin…. I just pick up the violin and I play it.” She continued to play intuitively throughout her childhood,
HAENDEL, IDA (– ), violinist. Born in Chelm, Haendel studied as a child prodigy with Michaełowicz in Warsaw, and in won the conservatory gold medal and the first Huberman Prize with Beethoven's Violin Concerto. She then pursued her training in Paris and London with Flesch and Enesco, making her London debut in Her wartime activities included many concerts for Allied troops, National Gallery appearances, and a performance of Dvořàk's Concerto at the composer's centenary Prom. She began her international concert career after World War II and came to be regarded as one of the leading soloists of her generation. She made tours in America, Russia, Europe, South America, and Asia. In she was the first Western soloist (with the London Philharmonic) invited to perform in China. Haendel's virtuoso technique won her admirers in both the concerto and recital repertoires. Among her first performances were Dallapiccola's Tartinianaseconda, () and Alan Pettersson's Violin Concerto no.2 (), which was dedicated to her. Haendel was awarded the Sibelius Medal (), created a CBE (), and appointed Fellow of the Royal College of Music (). She published her aut
Discover more Featured Stories like this in The Strad Playing Hub When Ida Haendel died on 1 July, aged 96, we lost almost the last survivor from Carl Flesch’s famous s class – only Ivry Gitlis is left now. Like him, Haendel had a rather unorthodox career, not helped in her case by some quixotic decisions. Born Ida Hendel in Chelm, eastern Poland, on 15 December , at three she picked up her sister’s violin and played a song her mother had been singing. Her father Natan, whose progress as a cellist had been frustrated by his own father, a rabbi, became the archetypal prodigy-pushing parent. When Ida was six the family moved to Warsaw, where she studied with Mieczysław Michałowicz (a pupil of Stanisław Barcewicz and Leopold Auer) who also taught Szymon Goldberg, Roman Totenberg and Josef Hassid. In her outspoken memoirs, Woman with Violin, she denigrated Michałowicz but he clearly gave her a good start. She won a gold medal at nine and the Huberman Prize at ten, and came seventh in the first Wieniawski Competition. She made her Warsaw Philharmonic debut with Mozart’s A major. Sponsored to study with Joseph Szigeti in Paris, Ida found his sched
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Haendel, Ida
Ida Haendel
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