Peggy Guggenheim. Image courtesy of the Peggy Guggenheim Collection Archives, Venice
Two images define art collector, socialite, and muse Peggy Guggenheim for me: the headstone of the 14 beloved dogs she had buried beside her, and the enormous dollhouse she had as a child, full of mini bearskin rugs and ivory furniture, which she kept locked and allowed nobody to touch.
These images, put together in the new documentary Peggy Guggenheim: Art Addict, show a woman overflowing with affection, which was often directed at the unexpected. She was a collector of the precious and the ridiculous almost from birth, a woman who imbued objects with almost more value than people, someone who would name a pet dog Pegeen and then be surprised that her daughter of the same name could be offended, a product of two of America&#;s most wealthy families who served up cheap, tinned food at her legendary dinner parties, a flamboyant, eccentric, ambitious Jewish woman who pushed to the front of one of the male-dominated art world at a time when being both female and Jewish were, to say the least, challenging.
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“It has always been taken for granted that Venice is the ideal city for a honeymoon, but this is a serious mistake. To come to Venice, or simply to visit it, is to fall in love with it, and in the heart there is no room left for anything else,” so reads a passage in A Life for Art, the autobiography of Peggy Guggenheim (New York, - Camposampiero, ) published in , the year of her death. And certainly Peggy knew that feeling very well: a corresponding bond with her adopted city, in which she spent the last thirty years of her life, from to
By the time she arrived in the lagoon, Peggy was already well known in the contemporary art world as a gallery owner and collector: in fact, her career in this sphere began in , when she was only thirty-nine, with the opening of her first art gallery in London
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Confessions of an Art Addict
Los dos primeros capítulos me parecen absolutamente despreciables, y siento la palabra pero son problemas de buergueses respecto a fortunas, joyas, matrimonios de conveniencia, etc. Después la cosa se pone interesante, de Peggy se podría decir que es una mujer insulsa y superficial con una vida interesante, pues a pesar de todo la impresión final que me he llevado ha seguido siendo la inicial: una mujer sumamente superficial a la que sin embargo la gusta el arte y que tiene una facilidad extrema para relacionarse con gente interesante (esto claro, se explica por su condición social y la familia de la que proviene, mucho más, creo yo, que por s
Peggy's mother Florette Seligman's family had looked down on the Guggenheim's. Although the Guggenheim's were wealthier, the Selgiman's had come to the United States ten years before the Guggenheim's and still considered them nouveau riche. Peggy's parents were unhappy together from the beginning. Her mother was an eccentric who sprayed Lysol on everything, and had a happy of repeating phrases 3 times. Her father Benjamin was a handsome engineer but a lousy businessman. Peggy from childhood was a Daddy's girl, she competed with her younger sister Hazel for her father's attention. After spending
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