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Dennis Lichtman
The Brain Cloud is the brain-child of multi-instrumentalist Dennis Lichtman and vocalist Tamar Korn. Regarding the diverse influences in their sound, which could loosely be described as western swing, says Lichtman, “Western swing is a quintessentially American music – a meeting point of all American musics that had come before it – jazz (from ragtime through swing), bluegrass, Appalachian old-time fiddling, Tin Pan Alley popular songs, early country, Mississippi Delta blues, western cowboy songs”
The Brain Cloud draws its inspiration from this fearless smashing-together of genres. Live shows are where the band excels. Tamar’s voice is reminiscent of an old 78 rpm record, and she brings lively spirit and improvisational freedom to each song – not to mention her jaw-dropping “muted trumpet” and “violin” vocal solos. And Lichtman, equally at home on mandolin, fiddle, and clarinet, leads the band’s arrangements in a way that keeps the audience (and the band) excited to see what’s coming next. That is, if the audience hasn’t already left their seats to crowd the dance floor.
The band’s third full-length album, Live at Barbès was re
Tag Archives: Tamar Korn&#;s Wildwood Ramblers
It&#;s Labor Day , and instead of playing outdoors or being at someone&#;s barbecue, I&#;m inside at my computer &#; by choice, I add. I have joy to spread.
This is the third in a series documenting a wonderful uplifting long afternoon out-of-doors, a Brice Moss Production featuring Tamar Korn, Evan Arntzen, Dennis Lichtman, Adam Brisbin, and Sean Cronin. Parts one and two can be savored here.
Tonight, if you are caught in homeward-bound holiday traffic, this music will keep you from feeling trapped. Just don&#;t stare at the screen, please?
Here are four more effusions of pure &#;It&#;s good to be alive.&#; (There will be a Part Four as well.)
CREOLE LOVE CALL (scored for two clarinets, and one Songbird &#; flitting gracefully between Adelaide Hall and Louis&#; slide whistle):
The ancient favorite &#; DARKTOWN STRUTTERS&#; BALL &#; which my father taught me before I&#;d entered kindergarten. Happily, there are no videos of my performances. But here are the Wildwood Ramblers &#; and stay until the end for a very sweet surprise (although if I have to tell you that, something&#;s wrong):
Some very good advi
Mamie’s honest, deep singing voice and old school guitar walloping become a vessel for her toughness and pathos as she delivers timeless performances that can rile, groove, sooth, and understand. If you’ve been lucky enough to see Mamie perform in New York City or somewhere else in the wide world, then you know: there are some things a person is simply meant to do.
These days, you can catch Mamie in her duo with Dean Sharenow (Kill Henry Sugar, Joan Baez) at their residency at Barbes, Brooklyn’s best small club, or solo at Jalopy, NYC’s mainstay of Americana music. She also tours Europe with her all-woman band redecorating the songs of Tom Waits, VKB Band, along with bandmates Rachelle Garniez and Amanda Homi. Mamie began playing guitar as a teenager in her bedroom listening to reissues of class country blues on repeate. Her job at a local record store gave her first dibs on releases from labels like Yazoo and Document. She would hurry home and try her hand at picking out the songs of legends like Mississippi John Hurt, Lightnin’ Hopkins, Memphis Minnie and Bessie Smith. She loved the steady thumb and percussive right hand of these blues players, but she also d
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