Summary of Alfred Stieglitz
A vital force in the development of modern art in America, Alfred Stieglitz's significance lies as much in his work as an art dealer, exhibition organizer, publisher, and editor as it does in his career as a photographer. He is credited with spearheading the rise of modern photography in America in the early years of the 20th century, publishing the periodical Camera Work () and forming the exhibition society, the Photo-Secession. He also ran a series of influential galleries, starting with , which he used not only to exhibit photography, but also to introduce European modernist painters and sculptors to America and to foster America's own modernist figures - including his later wife, Georgia O'Keeffe. Insistent that photography warranted a place among the fine arts, Stieglitz's own work showed great technical mastery of tone and texture and reveled in exploring atmospherics. In later years, influenced in part by Cubism and other trends, he became interested in straight photography, favoring more clarity and less lush effects.
Accomplishments
- Emerging first in the milieu of Pictorial photography, Stieglitz sought to gain recognition for his
Who is Alfred Stieglitz? Alfred Stieglitzs importance in the establishment of Contemporary art in America stems as much from his efforts as an exhibit promoter, art dealer, editor, and publisher as it does from his profession as a photographer. Alfred Stieglitzs photography contributed to the emergence of contemporary and aesthetic still life photography in America in the early 20th century. Alfred Stieglitzs artwork demonstrated tremendous technical command of texture and tone and delighted in developing atmospherics, proving that photography deserved a position among the fine arts.
Alfred Stieglitz’s Biography
Nationality American Date of Birth 1 January Date of Death 13 July Place of Birth Hoboken, New Jersey Later in life, inspired by Cubismand other styles, he grew fascinated with straight photography, preferring greater sharpness and fewer luscious effects. Alfred Stieglitz, who originally emerged in the atmosphere of Pictorial photography, wanted to acquire prominence for his medium by achieving end results similar to those seen in other great arts such as painting.
Many of his contemporaries used meticulous re
Alfred Stieglitz
Explore the timeline of Alfred Stieglitz, an influential American photographer and art promoter, known for his contributions to modern art and photography. From his early days in Germany to his pivotal role in the New York art scene, discover key moments in Stieglitz's life, including his founding of the Photo-Secession, his pivotal gallery spaces like , and his relationship with renowned artists such as Georgia O'Keeffe.
Born: January 01,
Photographer
Technische Hochschule Darmstadt
Birth of Alfred Stieglitz
Alfred Stieglitz was born on January 1, , in Hoboken, New Jersey, to German-Jewish immigrant parents. Stieglitz would later become a pivotal figure in the development of photography as a recognized form of art, particularly in the United States. His early life and education in New York set the stage for his influential career as a promoter of modern art and photography.
Stieglitz Goes to Germany for Education
In , Alfred Stieglitz moved to Germany to study mechanical engineering at the Technische Hochschule in Berlin. While there, he developed an interest in photography, seeing it as a form of art, rather than just docume
Alfred Stieglitz ( born January 1, in Hoboken, New Jersey July 13, ) was an American photographer, art dealer, publisher, advocate for the Modernist movement in the arts. He was the son of Edward Stieglitz, a German Jew who came to the United States in and went on to make a comfortable fortune in the clothing business.
In Stieglitz began studying mechanical engineering at the Technische Hochschule in Berlin. During this time Stieglitz began to collect the first books of what would become a very large library on photography and photographers in Europe and the U.S.[5] He read extensively as he collected, and through his library he formulated his initial thinking about photography and aesthetics. He was convinced that photography should be considered a fine art—at least potentially the equal of painting and the traditional graphic arts—and he was accustomed to getting his way. He quickly became a leader of photography’s fine-art movement in the U.S.
To promote his goals, Stieglitz introduced a quarterly publication called Camera Work he was determined it would be the best and most sumptuous of photographic publications; its first issue appeared in January , and
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