Elizabeth mankini kornhauser biography of williams

American paintings before in the Wadsworth Atheneum Volume 1: A - F. Volume 2: G-Z. With contributions by Elizabeth R. McClintock and Amy Ellis - hardcover

Kornhauser, Elizabeth Mankin:
American Paintings Before in the Wadsworth Atheneum - hardcover

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Künstler: Ellis, Amy, Künstler: McClintock, Elizabeth R. YALE UNIV PR, Gebundene Ausgabe, Auflage: New, Seiten, Publiziert: TZ, Produktgruppe: Buch, kg, Ausstel… More

Künstler: Ellis, Amy, Künstler: McClintock, Elizabeth R. YALE UNIV PR, Gebundene Ausgabe, Auflage: New, Seiten, Publiziert: TZ, Produktgruppe: Buch, kg, Ausstellungskataloge, Film, Kunst & Kultur, Kategorien, Bücher, Geschichte & Kritik, Themen & Konzepte, Freizeit, Haus & Garten, Lexika, Hand- & Jahrbücher, Schule & Lernen, USA, Geschichte nach Ländern, Politik & Geschichte, Kulturelle Veranstaltungen, Reiseführer, Reise & Abenteuer, Touristische Ziele & Museen, Reisehinweise & Tipps, YALE UNIV PR, <

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In the first half of the 19th century, a group of like-minded painters, poets and writers working in New York developed a distinctive vision of the American landscape that came to be known as the Hudson River School. Employing Thomas Cole's work, landscape scenes from the Hudson River to Yosemite Valley, as well as scenes from the Arctic and South America, Elizabeth Mankin Kornhauser, Alice Pratt Brown Curator of American Paintings and Sculpture at The Metropolitan Museum of Art, will talk about how these powerful landscape interpretations shaped our national and cultural identity and how they demonstrated an early awareness of the value of preserving natural sites for future generations.

One of the foremost experts in American art, Kornhauser oversees the American paintings collection and participated in its reinstallation at the Metropolitan Museum of Art. She co-curated the Met's Thomas Hart Benton's America Today Mural Rediscovered, Sargent: Portraits of Artists and Friends and George Caleb Bingham and the River. Earlier in her career, she served as Deputy Director, Chief Curator and Krieble Curator of American Paintings at the Wadsworth Atheneum.

Hudson River School: Masterworks from the Wadsworth Atheneum Museum of Art - Hardcover

Hudson River School, Masterworks From The Wadsworth Atheneum Museum Of Art

Kornhauser, Elizabeth Mankin

Published by Yale University Press,

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Used / Hardcover First Edition

Seller:Riveting Books, Southsea, HAMPS, United Kingdom

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Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st. Dust Jacket: Yes. Unclipped. External Condition: Excellent. Minimal wear. Clean. Internal Condition: Excellent. Clean. Author/Editor: Kornhauser, Elizabeth Mankin. ISBN: Publisher: Yale University Press. Year: Edition: 1st. Binding: Hardcover. Illustrated: Yes, colour. Language: English. Page Count: Keywords: art, Hudson River School, Wadsworth Atheneum Museum of Art, painting, landscape. The book for sale is the one in the photo. All dust jackets are put in a protective sleeve, to maintain the condition for years to come. Seller Inventory #

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Thomas Cole—the subject of a recently closed exhibition at The Met, traveling soon to The National Gallery, London—studied, sketched, and painted clouds throughout his career. As early as , he copied in his notebook the formula for painting skies found in William Oram's Precepts and Observations on the Art of Colouring in Landscape Painting (), and his notebooks are filled with written empirical observations as well as graphite on-site studies of clouds, such as Atmospheric Study with Notations, which he inscribed, "Thunderstorm after Sunset."

While in London from to , Cole was exposed to the grand-scale canvases that included dramatic cloud effects as well as the on-site, or plein-air, cloud studies of Joseph Mallord William Turner and John Constable. On a visit to the Royal Academy on June 29, , for example, Cole saw Constable's Hadleigh Castle, The Mouth of the Thames—Morning after a Stormy Night, which he greatly admired and which features a dramatic cloud-filled sky.

Cole met Constable later that year and had the opportunity to view Constable's oil studies. Constable had studied meteorological treatises and, working directly from n


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