Zakaria Paliashvili
Paliashvili composed works for symphony orchestra (e.g., Georgian Suite on Folk Themes), but is probably best known for his vocal music, which includes choruses and songs.
His father, Petre Ivanovich Paliashvili (&#;) was a kind, hard working man, a model father and husband. he was an elder at the Kutaisi Georgian Catholic Church. Zakaria's mother, Maria Pavlova Mesarkishvili (&#;) was noted for her grace and spiritual beauty. Zakaria was the third child in a family of eighteen children (thirteen sons and five daughters). Seven children died in infancy.
Thought Zakaria's parents were not professional musicians, their children remembered
Zakaria Paliashvili - Biography - Childhood and Youth
Childhood and Youth
His father, Petre Ivanovich Paliashvili (–) was a kind, hard working man, a model father and husband. he was an elder at the Kutaisi Georgian Catholic Church. Zakaria's mother, Maria Pavlova Mesarkishvili (–) was noted for her grace and spiritual beauty. Zakaria was the third child in a family of eighteen children (thirteen sons and five daughters). Seven children died in infancy. Thought Zakaria's parents were not professional musicians, their children remembered their mother's singing.
In his autobiographical notes Zakaria Paliashvili writes: "in our big family, my brothers and sisters displayed a natural gift of music even in their early age. To my mind the explanation of this should be sought in the fact that we, being catholics attended the church where the sweet sounds of organ music are not only enjoyable but help develop a good ear we spend much time in the church and gradually developed a good ear.." The first to display considerable musical abilities was the eldest son Ivane (Vano) Paliashvili (–) who subsequently became an outstanding conductor. When Vano was eleven years old he was made
ზაქარია ფალიაშვილი – Zakaria Paliashvili (–)
გამოჩენილი ქართველი კომპოზიტორი, დირიჟორი, პედაგოგი, ქართული საკომპოზიტორო სკოლის ფუძემდებელი ზაქარია პეტრეს ძე ფალიაშვილი (–). მუსიკალური განათლება მიიღო ჯერ თბილისის სამუსიკო სასწავლებელში (–99), ხოლო –03 – მოსკოვის კონსერვატორიაში.
დაბრუნდა საქართველოში და დაიწყო აქტიური შემოქმედებითი პედაგოგიური და საშემსრულებლო (ორგანისტი და დირიჟორი) მოღვაწეობა. იყო &#;ქართული ფილარმონიული საზოგადოების” ერთ–ერთი დამაარსებელი (). –17 სათავეში ედგა ამ საზოგადოების სამუსიკო სკოლას, აქვე შექმნა გუნდი და ორკესტრი. იყო &#;ქართულ ენაზე ოპერების გამმართველი საზოგადოების” აქტიური წევრი, თბილისის კონსერვატორიის პედაგოგი () და დირექტორი (, , –32).
შეკრიბა, ჩაიწერა და გამოსცა ხალხური სიმღერების 2 კრებული. ხალხური შემოქმედების თავისებურებათა მხატვრული განზოგადებისა და მსოფლიო კლასიკური მუსიკის ტრადიციებთან მათი შერწყმის საფუძველზე ფალიაშვილმა შექმნა ქართული კლასიკური მუსიკის სტილი. ფალიაშვილის მონუმენტური ოპერა–ტრაგედია &#;აბესალომ და ეთერი” () და ლირიკული დრამა ოპერა &#;დაისი” () შესულია მსოფლიო მუსიკალური კულტურის საგანძურში და ფართოდაა აღიარებული.
სხვა ნაწარმოებებია: ოპერა – &#;ლატავრა” (), &#;საზეიმო კანტატა” (), რომანსები და სიმღერები: &#;ახალ
The 19th and 20th centuries can be freely referred to as the Renaissance of Georgian Culture where Zakaria Paliashvili was assigned a truly prominent role. Known for his innovative views and ideas, he was one of the outstanding representatives of his generation. The future composer was born into the family of Petre Paliashvili, a sexton of the Georgian Catholic Church, in Kutaisi, in Though the Paliashvilis had no musical instrument, some of Zakaria’s siblings displayed an inborn talent for music. At 8, Zakaria was admitted as a chorister to the Catholic Church choir. Soon he was attracted to organ music and learned to play the instrument. After moving to Tbilisi, he and his brother, Ivane, joined the Georgian Ethnographic choir created under the auspices of Lado Agniashvili. Paliashvili made a name for himself as a public figure already in He totally immersed himself in collecting and exploring folk songs. He conducted ethnomusicological fieldworks throughout Georgia during which he made gramophone records of over folk songs. Later he published transcriptions of traditional chants in two volumes. Folk music proved to be the greatest source of inspiration for his cla
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