Guitarist Breau stands in the spotlight on the Wayside Stage Sept. 21
DEXTER — Wayside Grange & Theatre is excited to once again host the ever popular Denny Breau, entertaining with a night filled with a variety of audience pleasing music.
A musician’s musician, Denny’s rhythmically flawless and dazzlingly clear style allows him to do amazing and stunning things with a six-string guitar. He first draws in an audience with a finely arranged melody and then slides effortlessly into scorching fingerwork that sets ears aflame. The lightning fast guitar lines that seem almost humanly impossible to accomplish are balanced with those that have a quiet intimacy and wrap tenderly around his carefully crafted songs. He mixes genres with ease — folk, delta blues, country, and jazz — “creating a totally accessible musical melange that captivates as it entertains,” according to Lucky Clark writing for the Kennebec (Maine) Journal.
Guitarists in the audience often suspect that they have been left in the dust and regularly tell Denny that they might as well hang up their guitars! As Denny greets concert-goers and shakes hands following his performances, guitar players invariably ask how
Lenny Breau &#; Legend
Legendary guitarist and music magnate Chet Atkins once referred to Lenny Breau as &#;The greatest guitarist that ever lived&#;. Native to Lewiston/Auburn Maine, Lenny&#;s musical genius would gain him world wide acclaim as one of the true innovators of the guitar. Lenny&#;s technique encompassed a creative interplay of fingerpicking, and Sabicas influenced flamingo, highlighted by an extraordinary right hand independence and flurries of artificial harmonics. His harmonic sensibilities were a combination of his country roots, classical, modal, indian, and especially jazz, particularly the work of Bill Evans. Lenny&#;s unique confluence of all of these musical facets is what set him apart and earned him the reputation of musical genius among his peers.
The Lenny Breau Memorial Scholarship has been established to honor Lenny&#;s musical legacy through the perpetuation of the study of musical performance or related of musical pursuit. The very basis of Lenny&#;s innovation was grounded in the fact that he himself continuously strove towards growth through inventiveness. As Lenny was so humbly quoted as saying, &#;I&#;ll always be a student, because I
A question music fans frequently ask when they encounter Lenny Breau’s virtuosic fingerstyle jazz guitar playing for the first time is “How is it possible I’ve never heard of this guy?”. It’s a reasonable question considering that we live in a world where even the smallest amount of talent can catapult an unknown to overnight celebrity status. Yet despite possessing musical gifts of such magnitude that Chet Atkins once called him “the greatest guitarist who ever walked the face of the earth”, Lenny Breau spent most of his professional life in relative obscurity.
The dazzling guitar style that so impressed Atkins was a unique synthesis of jazz, flamenco, country, classical and other musical genres that Lenny worked tirelessly to refine throughout his life. Along the way, he created new techniques that baffled and amazed even the most accomplished guitarists of his time. The musical result enthralled listeners as much for its technical complexity as the depth of its emotional expression. His music was captured on a handful of recordings that sold poorly during his lifetime but are now considered by guitar aficionados to be among the most important and groundbreaking guitar recor
Denny Breau @ Cadenza
Denny Breau’s rhythmically flawless and dazzlingly clear style allows him to do amazing and stunning things with a six-string guitar.
Denny first draws in the audience with a finely arranged melody and then slides effortlessly into scorching fingerwork that sets ears aflame. The lighting fast guitar lines that seem almost humanly impossible to accomplish are balanced with those that have a quiet intimacy and wrap tenderly around his carefully crafted songs. He mixes genres with ease — folk, Delta blues, country and jazz — “creating a totally accessible musical mélange that captivates as it entertains,” according to Lucky Clark writing for the Kennebec (Maine) Journal. Denny first draws in the audience with a finely arranged melody and then slides effortlessly into scorching fingerwork that sets ears aflame. The lighting fast guitar lines that seem almost humanly impossible to accomplish are balanced with those that have a quiet intimacy and wrap tenderly around his carefully crafted songs. He mixes genres with ease — folk, Delta blues, country and jazz — “creating a totally accessible musical mélange that captivates as it entertains,” according to Lucky C
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